I don’t have a lot to say about
this song because it isn’t really good or bad: it’s a catchy piece of radio
fodder with a message fitting for our age—be yourself, do your own thing, don’t
just go with whatever society tells you, be a special snowflake just like
everyone else, etc. (It’s not surprising that this quickly got picked up by a
Jeep commercial.)
All of this is well and good and generally uninteresting
except for the one point where its generic and bland exhortations to do something
different actually gets specific—at that point this song gets stuck in my craw:
All hail the
underdogs
All hail the new kids
All hail the outlaws
Spielberg's and Kubrick's
All hail the new kids
All hail the outlaws
Spielberg's and Kubrick's
Even if we can overlook the
conflation of underdogs, new kids, and outlaws with renegades, the choice of Steven
Spielberg as one of the only two concrete examples of a “renegade” in the whole
song just shows how ludicrous the song’s understanding of what it means to be a
renegade really is. I’m not trying to put down Spielberg—I’ve enjoyed his
movies, and it’s clear that he is a very creative and talented person who has
had a big influence, but none of that makes him a renegade in any meaningful
way. If he was ever an underdog, new kid, or outlaw, Spielberg hasn’t been one
in a very long time. (I’m also not entirely sold on Kubrick as an example
either—sure he was original or perhaps even pioneering in many of the things he
did, but I don’t know if that’s the same as being a renegade.) I guess the band
decided to go all renegade on the definition of renegade.
No comments:
Post a Comment